![]() In particular, the graveyard, with its looming shadows and windswept fog, captures the fear and panic that the characters feel at the moment of Martha’s accident. Ghost in the Graveyard takes the opposite route, as the scenes take place in diverse settings that genuinely compliment the situations in which the characters find themselves. Many “paranormal” films that operate on a modest budget tend to employ settings that are inexpensive and mundane. For a film with “graveyard” in its title, one would hope that the titular setting would be captured effectively by the filmmakers - and, indeed, this is one of the film’s strengths. Again, although the sequences that follow rarely offer any surprises, all of the performances are strong and realistic, with Busey playing the role of the protective father and Berglund having to tackle a number of jarring emotions as the film reaches its climax. In an interesting twist, Sally first experiences great conflict with bully Zoe (played by Larsen), but ultimately the two must join forces in order to confront the supernatural entity that has come to wreak havoc upon the town. She reunites with her father, played by Jake Busey, and attempts to ingratiate herself back into the high school life, making new friends and discovering a love interest along the way (on a side note, some of the film’s most dramatic and suspenseful moments come during the classroom sequences, during which Sally is taught by a creepy nun and has frightening hallucinations). Moriah after receiving treatment for her own psychological problems. While this setup is fairly generic and speaks to some of the film’s predictability, Comparetto’s confident direction, strong performances from leads Kelli Berglund and Olivia Larsen, and Przemyslaw Reut’s fluid cinematography all contribute to a film that is both eerily unnerving and entertaining.īerglund plays Sally Sullivan, a teenager who has returned to Mt. Now, as anticipated, Martha has returned to haunt and seek revenge upon those who witnessed her death long ago. Moriah where, years ago, a young girl named Martha was killed in an accident involving a playful childhood game. The tale takes place in a small town called Mt. Writer and director Charlie Comparetto tells an old-fashioned ghost story in his well-made Ghost in the Graveyard, a horror and suspense film that overcomes its smaller budget and script limitations to impressive effect. ![]() DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate.Well-executed and performed, the effective supernatural story “Ghost in the Graveyard” overcomes its limitations in stylish and visually arresting ways. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. Robinson), are forgetting their religion and behaving like libertines. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. ![]() Sinai, who delivers unto him the Ten Commandments. Later, Moses is again confronted by God on Mt. But Moses rescues his people with a little Divine legerdemain by parting the Seas. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. ![]() Only after the Deadly Plagues have decimated Egypt does Rameses give in. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. ![]() Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. ![]()
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